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Kennedy Yanko's sculptures are relics of control and surrender. Working mostly with found metal and paint skins, she coaxes the two into an uneasy alliance until they drape and fold like fabric. The artist is just days away from opening a New York doubleheader at Salon 94 and James Cohan Gallery, who are teaming up to present two solo exhibitions, staged at each respective gallery, marking a pivotal moment in Yanko's artistic dialogue of material and meaning.Starting in Tribeca, Epithets takes s...
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